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Beatrix_

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Interestingly, geologists have long identified a relationship between rainfall rates and seismic activity. In the Himalayas, for example, the frequency of earthquakes is influenced by the annual rainfall cycle of the summer monsoon season. Research reveals that 48% of Himalayan earthquakes strike during the drier pre-monsoon months of March, April and May, while just 16% occur in the monsoon season.
 

David PS

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@Beatrix_ The computer modelers are at it again.
 

Beatrix_

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@thephilippics

Trump is a Nazi.
Brexit voters are Nazis.
Anti-vaxxers are Nazis.
Putin is a Nazi.
Canadian truckers are Nazis.
Your mum is a Nazi.
You know who aren't Nazis?
The Waffen SS.
That's actually a little more complicated.
F7gHnfOWsAAwPFq.jpg
 

Mossy

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Peatress

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AstraZeneca manufactured the Oxford vaccine on a not-for-profit basis. And the vaccine had saved more than six million lives in its first year of use, more than any other Covid jab, an independent study by disease-forecasting company Airfinity, published last year, estimated.

But within a few months of the AstraZeneca vaccine rollout, cases began emerging of a potential side effect from blood clots. And a condition known as vaccine-induced immune thrombosis and thrombocytopenia (VITT) was eventually identified.

The cases were so rare they had not been identified in the global trials of the vaccine.
 

Peatress

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The Guardian funded by the Bill and Melinda Gates Foundation


The study funded by the Bill and Melinda Gates Foundation

 

Beatrix_

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The War of the Worlds (1938 radio drama)

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938 over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners.[1]
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Ghostwatch

Ghostwatch is a British mockumentary supernatural horror TV movie, first broadcast on BBC1 on Halloween night, 1992. Written by Stephen Volk, and directed by Lesley Manning, the drama was produced for the BBC anthology series Screen One by Richard Broke, Ruth Baumgarten and Derek Nelson. Despite having been recorded weeks in advance, the narrative was presented as live television[citation needed]. During and following its first and only UK television broadcast, the show attracted a considerable furor,[1] resulting in an estimated 1,000,000 phone call enquiries to the BBC switchboard on the night of broadcast, comprising a mixture of complaints and praise for the programme's unique presentation.[2]
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Plot summary
Ghostwatch is presented as a live broadcast, hosted by Michael Parkinson, in an attempt to present concrete evidence of paranormal phenomena. To achieve this, the programme launches an on-air investigation into a house in the fictional Foxhill Drive, Northolt, Greater London.
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Controversy
Although Ghostwatch was aired under the Screen One drama banner,[8] its documentary style led many viewers to believe the events were real, causing much controversy after the show's airing. The BBC was besieged with phone calls from irate and frightened viewers, among them Parkinson's elderly mother. British tabloids and other newspapers criticised the BBC the next day for the disturbing nature of some scenes, such as Greene's final scene where she is locked in an under-stairs cupboard with the howling ghost, and Parkinson's eerie possession scene.
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Psychological effects
A number of psychological effects were reported in Ghostwatch's wake:

Eighteen-year-old factory worker Martin Denham, who suffered from learning difficulties and had a mental age of 13, took his own life five days after the programme aired. The family home had suffered with a faulty central heating system which had caused the pipes to knock; Denham linked this to the activity in the show causing great worry. He left a suicide note reading "if there are ghosts I will be ... with you always as a ghost". His mother and stepfather, April and Percy Denham, blamed the BBC. They claimed that Martin was "hypnotised and obsessed" by the programme.[10] The Broadcasting Standards Commission refused their complaint, along with 34 others, as being outside their remit, but the High Court granted the Denhams' permission for a judicial review requiring the BSC to hear their complaint.[11][12]
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Simons and Silveira published a report in the British Medical Journal in February 1994, describing two cases of Ghostwatch-induced post-traumatic stress disorder in children, both ten-year-old boys. They stated that these were the first reported cases of PTSD caused by a television programme.[15] Responses to the article described a further four cases in children aged between eleven and 14, as well as one case in an eight-year-old that stemmed from watching the pre-watershed medical drama Casualty.[16][17] The respondents also noted the potential for similar reactions in elderly people. However, the conclusion of the article states: "The rapid resolution of the children's symptoms suggests that the children suffered a brief anxiety reaction to the television programme; although they may have exhibited some of the features of post-traumatic stress disorder, this diagnosis in their cases is inappropriate."[18][19]
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