energyandstruct
Member
- Joined
- Nov 27, 2017
- Messages
- 960
I have read some of that slonimsky. SLonimsky also wrote a book of all possible scales and harmonic/melodic configurations that john coltrane used to practice out of.Agreed. You bring up many key points. Literacy and familiarity (structure and architecture within the reference points) have a great deal to do with one's capacity to offer criticism of any value.
Besides, I have yet to encounter anyone who bandies about the terms tonal and atonal as knowing anything about harmony. For example, the study claims "Atonal music was defined as any musical production (roughly dated after 1910: from Schönberg onward) that avoided a tonal center or used multiple tonal centers simultaneously." Huh?!?! What does this nonsense even mean?
Hah. That reminds me. Have you ever read Slonimsky's hilarious Lexicon of Musical Invective?
Yes I agree the definition of tonal and atonal is really vague here.